Category Archives: 2011 concerts

Endymion performing Brahms’ Clarinet Quintet at King’s Place

A video of Endymion performing Brahms’ Clarinet Quintet at King’s Place a few weeks ago. Enjoy!

Endymion performing Fratres by Arvo Pärt at the Southbank Centre

Here’s another video of us performing at the Southbank Centre in September.  As part of our celebration of Arvo Pärt, we performed several well-known chamber works by the 76-year-old composer, including Summa for string quartet and Fratres, on this video, in the version for string quartet.  We also teamed up with EXAUDI to perform his wonderfully contemplative Stabat Mater – a video of that is coming soon!

You can see us perform all three of these wonderful pieces again on Saturday night at the Sound Festival, Scotland, alongside three great new commissions by Philip Venables (Endymion’s Artistic Director), James Weeks (EXAUDI’s Artistic Director) and Andrew Hamilton.  Tickets are available here!

 

Music for People Project, Aberdeen

The Music for People project is now just under two weeks away, and promises great things. Once again we are teaming up with EXAUDI Vocal Ensemble, and this project will combine three works by Pärt with three newly commissioned compositions.

Arvo Pärt has been a real focal point of our repertoire over the last year, and we will be performing Fratres and Summa along with the vocal masterpiece Stabat Mater. It is extremely exciting for us, as instrumentalists, to work with singers on Arvo Pärt’s music. I’ve always considered him an expert at combing textures, and the Stabat Mater brings strings and voices together with delicious originality. The interaction between voice and instrument is so carefully judged that the boundaries become blurred: voices creep into string textures, and vice versa, the strings embody personal, vocal qualities through the minimality of the scoring, and strings double vocal lines at the peaks and depths of their range to create new aural colours. These blurring techniques, in turn, make moments of unaccompanied playing or singing, exceptionally striking – and bringing all this this together with singers is an inspiring creative process.

In addition to Pärt, we will also be performing three fantastic new works. James Weeks’ Inscription is an expansive and thought-provoking work in Portugese, whilst the other two works are as riotous as Weeks’ is meditative. Andrew Hamilton’s right and wrong contains a vast sound pallet of buzzing, ringing, waltzing and even shouting, and Philip Venables’ ‘numbers  76-80 : tristan und isolde’ contains a remarkable auralisation of swarming wasps.

These three new pieces were commissioned by Endymion, EXAUDI  and SOUND  Festival, Aberdeen, whose musical and financial support has been most valuable. We are also extremely grateful to the Leche Trust, the Marina Kleinwort Trust, and the Golden Bottle Trust, all of whom have generously funded this event.

The project takes place on November 12th, 7.30pm, at the SOUND Festival in Aberdeen. Tickets can be booked here, and are just £10 – £8  for concessions or a remarkable £2 for students. We look forward to seeing you there!

EAST AND WEST: Russia, France and Germany

This week we’ll be travelling to the musical extremes of Eastern and Western Europe with our GOODBYE STALIN! concert in Leeds on Friday 4 November, and our French and German programme next Tuesday 8 November  in London.

Twenty years after the fall of the Soviet Union, we’re celebrating with a programme of Russian and Estonian music in the fantastic Howard Assembly Room in Leeds. Inspired by Opera North’s production of Tchaikovsky’s dark tragedy The Queen of Spades, the programme at the HAR this Autumn aims to “shed some light on the endlessly fascinating Russian imagination” – and we are delighted to be reprising some of the material from our concert in May.

This is not just music for music’s sake – although the two piano quintets by Schnittke and Shostakovich really are some of the finest chamber works of the twentieth century. This is also music with a history. In our rehearsals we’ve been exploring both the light and the dark sides of the quintet that won Shostakovich the prestigious Stalin prize in 1941 and  Schnittke’s memoriam of the older composer, his Duo.  Alongside these Russian works we’ll be performing Summa – a string quartet by contemporary Estonian composer Arvo Pärt, who fled to Vienna in 1980 after a prolonged struggle against Soviet officialdom.

Next week, we treat ourselves with some of our favourite works from the other side of the Iron Curtain in the Michael Croft Theatre at Alleyn’s School in London. Side by side are two quintets for piano and wind, both in E flat major – the first, Mozart claimed, was “the finest work I have ever composed”, and the second is a homage to his master from the 26-year-old Beethoven. We’ve paired these Teutonic classics with some French fancy: Poulenc’s  Sextet for piano and winds (an Endymion favourite!) and the fantastic Nissen arrangement of Ravel’s Mother Goose Suite. We’re also looking forward to working with pupils from the school in a coaching workshop in the afternoon.

There are still a few tickets left for both concerts – you can book tickets for the Howard Assembly Room here and for Alleyn’s School here.

Arvo Pärt – Summa

Here’s a wonderful video of our performance a few weeks ago at the Southbank Centre of Arvo Pärt’s ‘Summa’ for string quartet.

We’re playing this beautiful piece again on 4th November at Opera North, 12th November at Sound Festival in Scotland and on 6th March 2012 at City Music Society at the Bishopsgate Institute.  Do come and join us to hear it again!

 

Guardian review of Music for People 1 at Southbank

Our first instalment of Music for People went off wonderfully last night at the Southbank Centre.   From the serene opening of Fratres to the atmospheric premiere of Joanna Bailie’s new piece to the quirky, joyous commission by Philip Venables and Pärt’s masterpiece Stabat Mater, all went tremendously well and we were delighted to share the stage with the incredible EXAUDI singers.

The Guardian reviewed the concert here.  What a ringing endorsement for our project!  We’re delighted.  And we do hope that you all come back tomorrow night for the premiere of our commissions of James Weeks and Andrew Hamilton (both sounding great in rehearsal) and Morton Feldman’s stunning Clarinet Quintet.

Book here: http://ticketing.southbankcentre.co.uk/find/music/classical/tickets/endymion-exaudis-music-for-people-ii-57194

http://www.guardian.co.uk/music/2011/sep/20/endymion-exaudi-review

Joanna Bailie’s commission was generously supported by the PRS for Music Foundation

Endymion and EXAUDI’s Music for People – book now!

Music for People is a new and exciting collaboration between ‘the brilliant Endymion’ and EXAUDI, ‘the extraordinary ensemble of vocal virtuosi’.  We’re joining forces for two evenings of ‘new simplicity’ at the Southbank Centre, with music by Arvo Pärt, Morton Feldman and four exciting new works especially commissioned for this project from four renegade young composers: Joanna Bailie, Andrew Hamilton, Philip Venables and James Weeks.

The first concert, on September 19th, includes two of Pärt’s best known instrumental compositions, ‘Fratres’ and ‘Summa’, as well as the beautiful ‘Stabat Mater’ and the rarely performed ‘Pilgrim’s Song’.  Alongside these, the premieres of ‘Artificial Environment No. 6’ by Joanna Bailie, and ‘numbers 76-80 : tristan und isolde’ by Philip Venables, both for voices, string quartet and tape.

The second evening, on September 21st, features Morton Feldman’s iconic ‘Clarinet and String Quartet’ from 1983 and the earlier pieces ‘Only’, for solo voice on a text by Rilke, and ‘Voices & Cello’.

These are paired up with two new commissions by composers inspired by Feldman – ‘right and wrong’ by Andrew Hamilton and ‘Inscription’ by James Weeks.

The project is being generously supported by the Marina Kleinwort Charitable Trust, the Ernest Cook Trust, the PRS for Music Foundation, the Holst Foundation, the RVW Trust, the Leche Trust, the Golden Bottle Trust and the Golsoncott Foundation.

Check out the flyer here, and book your tickets now through the Southbank Centre website – details below.  There are student tickets from £5 too.

Monday, September 19th, 7.45pm
Arvo Pärt  -  Summa
Joanna Bailie  -   Artificial Environment No.6  (world premiere)
Arvo Pärt  -  Wallfahrtslied (Pilgrim’s Song)*
Philip Venables  -  numbers 76-80 : tristan und isolde (world premiere)
Arvo Pärt  -  Fratres
Arvo Pärt  -  Stabat Mater

Wednesday, September 21st, 7.45pm
Morton Feldman  -  Only, for solo voice
James Weeks  -  Inscription (world premiere)
Morton Feldman  -  Voices & Cello
Andrew Hamilton  -  right and wrong (world premiere)
Morton Feldman  -  Clarinet and String Quartet**

Endymion
EXAUDI
James Weeks – conductor
*Simon Wall – tenor
**Mark van de Wiel – clarinet
Purcell Room
Southbank Centre, Belvedere Road, London SE1 8XX
TICKETS
£20, £15, £10, concessions 50% off.
Southbank Centre:  www.southbankcentre.co.uk / 0844 875 0073
Direct booking links:
for Concert 1, Sept 19: http://bit.ly/qLeoRp
for Concert 2, Sept 21: http://bit.ly/nJAvwA

Endymion and EXAUDI at Wigmore Hall

We were delighted with our late-night performance of Arvo Pärt a few weeks ago at Wigmore Hall with the wonderful EXAUDI.  We performed in Wigmore Hall’s new late-night series, at 10pm on Friday 8th July.  The hall was really full (busier than for the 7pm concert that night!) and the atmosphere was really serene and concentrated, for four contrasting pieces of Pärt:  Fratres, Summa, Pilgrim’s Song and the Stabat Mater.

Geoff Brown reviewed for The Times:

“One Arvo Pärt work followed another, from the chord sequences of Fratres to the measured sorrows of his Stabat Mater setting: music of rapturous, daring simplicity, vigorously etched by a string quartet drawn from Endymion and three of Exaudi’s fearless voices.”

This was the first performance in a line of Arvo Pärt performances, not least our large Music for People project at Southbank Centre on 19th and 21st September, when we’ll be joining up with EXAUDI again to perform more Pärt, plus some Morton Feldman and four new commissions from James Weeks, Joanna Bailie, Andrew Hamilton and Philip Venables.  More to follow on here soon, but book your tickets now

Monday 19th September: Pärt, Venables, Bailie.

Wednesday 21st September: Feldman, Hamilton, Weeks.

The photo here is us rehearsing the Stabat Mater in Wigmore Hall on the morning of the concert.

Endymion performing Elliott Carter UK Premiere

Wigmore Hall concert with EXAUDI: Arvo Pärt

We’re really excited to be featuring in Wigmore Hall‘s new late-night series next Friday evening at 10pm.  For this special concert, we’ve teamed up with EXAUDI (“the extraordinary ensemble of vocal virtuosi” – Sunday Times) to present a retrospective of music by Arvo Pärt, for strings and voices.

The concert includes Fratres and Summa, two of his most famous works known to many from films and television, and the Stabat Mater, one of the first major sacred works in his “holy minimalism” style.

This performance is in advance of our Music for People project at Southbank Centre on 19th and 21st September 2011, when we will premiere four exciting new commissions from Andrew Hamilton, Joanna Bailie, James Weeks and Philip Venables written for Endymion and EXAUDI, to be performed alongside the music of Arvo Pärt and Morton Feldman.

Tickets for Wigmore are available here – they’re selling quickly, so book now.  It would be great to see you there. Tickets are only £12!